Best cover versions anyone?

Discussion in 'Bulletin Board' started by Marc, Jan 7, 2023.

  1. thetykester

    thetykester Well-Known Member

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  2. RedKen-dal

    RedKen-dal Well-Known Member

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    from a top top film, the dude endures
     
  3. exiled

    exiled Well-Known Member

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    Good thread this for revisiting some classics, just played that album twice.
     
  4. ronnieGlavinsB@stardSon

    ronnieGlavinsB@stardSon Well-Known Member

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    More Grease o_O

     
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  5. Frans

    Frans Well-Known Member

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    Heather Nova released a covers album a few months ago with some interesting song choices - Stayin’ Alive, Never Gonna Give You Up and Don’t Stop Believing among others, as well as this. Might be a bit ‘John Lewis advert’ for some people’s taste but nice to chill out to..

     
  6. #FWF

    #FWF Well-Known Member

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    New Order's Blue Monday

    Essentially a cover/better version of Gerry & The Holograms

     
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  7. Baldrick

    Baldrick Well-Known Member

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  8. Merde Tete

    Merde Tete Well-Known Member

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    I know what you mean, but I do think it has kind of got forgotten, especially as many people now exclusively associate Dexys with Come On Eileen. Personally I think that Too-Rye-Ay has some fantastic tracks on it but it was a huge change of direction after SFTYSR.
     
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  9. John Peachy

    John Peachy Well-Known Member

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    This is pretty good.

     
  10. Sco

    Scoff Well-Known Member

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    I'm going to go out on a limb here and say that all 3 albums from the 80s were good - although Don't Stand Me Down is probably more famous for the theme from "Brush Strokes" than anything else.
     
  11. Dar

    Darfield138 Well-Known Member

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    No, I mean under-rated as, to my perception at least, these days they are better known/remembered for their Too Rye Aye album and Come on Eileen than Young Soul Rebels (which I think is a shame, as it is by far the better work)
     
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  12. OxR

    OxRed Well-Known Member

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  13. dartonpete

    dartonpete Well-Known Member

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    Blondie's version much better
     
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  14. John Peachy

    John Peachy Well-Known Member

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    Absolute classic this. Thanks for sharing. Mr Pharmacist and Rolling Danny also great covers by the Fall.
     
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  15. x11barnsley

    x11barnsley Well-Known Member

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    They also did a memorable version of Beefheart’s Dropout Boogie at Glastonbury 7/8 yrs ago
     
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  16. RedKen-dal

    RedKen-dal Well-Known Member

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    Beetle Bones n smoking stones is on witch trials so he must have had a long term Beefheart love. Common affliction that.
     
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  17. Farnham_Red

    Farnham_Red Administrator Staff Member Admin

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    Just been catching up on this thread now its got to Friday and there are some good tunes in here

    3 great songs but I don't think Because the Night is a cover as Patti Smith and Springsteen co wrote it and Patti released the original and best version I have the album (Easter- the patti smith group ) on a cassette tape somewhere - probably in a box in my loft

    Did I miss Hallelujah by Jeff Buckley in the list ( Though I prefer Cohens original version )
     
  18. Lone Striker

    Lone Striker Well-Known Member

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    Every day’s a school day, Farnham - didn’t know that.

    Though clearly she covered the bits Brooce wrote :)
     
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  19. winged avenger

    winged avenger Well-Known Member

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  20. Bossman

    Bossman Well-Known Member

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    Here’s the story behind Because the Night for anyone that’s interested


    [​IMG]

    Songfacts®:
    • Despite her large cult following and Rock and Roll Hall of Fame career (she was inducted in 2007), this was Patti Smith's only hit, making it an anomaly in her discography, which was aimed at a far more narrow audience.

      For many not familiar with Smith's career or the history of punk, this is the only recognizable song of hers. The producers of the 2013 movie CBGB played to this audience when they portrayed Smith singing this song at the famous club in 1975 - two years before she recorded it and a year before it was written. In the film, Smith is played by Mickey Sumner, who is Sting's daughter.
    • Bruce Springsteen started writing this song in 1976, but he didn't work on it in a studio until a year later, after settling a legal dispute with his manager, Mike Appel. He started recording it for his 1978 Darkness On The Edge Of Town album, but he wanted all the song to follow a theme: how people react when they don't have "freedom from dread." "Because The Night" didn't fit this narrative, so he didn't slate it for the album.

      The song lay dormant until Springsteen's producer, Jimmy Iovine, convinced him to give a copy to Patti Smith, who eventually got around to filing in the verses and recording the song. Iovine was also producing Smith's Easter album and convinced her to record it for the set.
    • Smith wrote the verses in one night in 1977 while waiting for her boyfriend, Fred "Sonic" Smith, to call. Fred, a founding member of the MC5, lived in Michigan and performed with his band Sonic's Rendezvous; Patti was in New York. They relied phone calls to stay in touch, but they were both poor and long distance calls were very expensive, so they limited their talks to about once a week, always at night when the rates were cheaper. One night, Patti was expecting his call at 7:30, but it didn't come. That's when she played Springsteen's cassette demo for the first time, listening to it over and over while she wrote lyrics about her yearning love. She got rather specific:

      Love is a ring, a telephone

      By the time Fred called around midnight, the song was done. This was very unusual for her, as she typically took a lot longer to compose lyrics.
    • Springsteen didn't release a studio version of this song until 2010 for his album The Promise, but he often played it at his live shows with different lyrics. The first time his version was released came in 1986 on the boxed set Live 1975-1985.
    • As The Boss was struggling to finish this song, he agreed to Jimmy Iovine's request that Patti Smith could complete it. Springsteen explained why to Mojo magazine August 2010: "It was a love song and I really wasn't writing them at the time. I wrote these very hidden love songs like For You, or Sandy, maybe even Thunder Road, but they were always coming from a different angle. My love songs were never straight out, they weren't direct. That song needed directness and at the time I was uncomfortable with it. I was hunkered down in my samurai position. Darkness… was about stripping away everything - relationships, everything - and getting down to the core of who you were. So that song is the great missing song from Darkness On The Edge. I could not have finished it as good as she did. She was in the midst of her love affair with Fred 'Sonic' Smith and she had it all right there on her sleeve. She put it down in a way that was just quite wonderful."
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    • Smith's producer on the Easter album was Jimmy Iovine, who would go on to great things as a producer and entrepreneur, but was still getting started in the business at the time. "Because The Night" was his first hit as a producer, and he credits Bruce Springsteen for granting him the opportunity. Iovine had worked on Bruce's 1975 Born To Run album, and Springsteen gave him the song to deliver to Smith. This "really launched by career," Iovine said.
    • Smith was hesitant to use a song written by someone else, and even after writing the verses she wasn't sure she would record it. Jimmy Iovine and her band members helped convince her to give it a go. "In the end, we were a good match for that particular song," she told Billboard. "I could have never written a song like that. I'd never write a chorus like that."
    • 10,000 Maniacs covered this song in 1993, outcharting Smith at #11 US. When Smith's husband (and the song's muse), Fred, died of a heart attack on November 11, 1994 at age 45, royalties from that cover helped keep her solvent financially - she had two young children, son Jackson and daughter Jesse, and little money.

      The song became a lasting tribute to Fred; Smith later took to performing it with Jackson and Jesse, who became musicians.
    • Springsteen and Smith performed the song together at the Tribeca Film Festival in New York on April 23, 2018. Smith said: "This song always makes me think of three men: Fred 'Sonic' Smith who inspired it, Jimmy Iovine who produced it, and Bruce Springsteen who wrote it." Springsteen insisted they sing her lyrics, not the ones he typically sang.

      This wasn't the first time they shared a stage: Springsteen joined Smith onstage several times from 1976-1977, while legal battles kept Bruce from recording.
    • Smith
     

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